Portrait of Craig

The delicate pencil work is a reflection of the sitter’s warm, open nature. At first glance, it seems simple, but subtle layers invite you to linger a little longer. Upon closer inspection, you’ll notice two lines intertwining with one another—one representing the form, the way we present ourselves to the world, and the other embodying our personal journey, representing the experiences, relationships, and stories that have shaped the sitter’s identity. Together, these lines offer a nuanced reflection on how we navigate the space between external perception and inner truth.

Portrait of Norma

On grey-toned paper, I began with a graphite and white pencil underdrawing, much like the preparatory layers of an oil painting, to build tonal values and depth. Gradually, layers of colored pencil were added, creating a softly muted effect that brings a quiet richness to the final image. The pineapple, a later addition, responds to a lighthearted anecdote shared by the sitter—a memory of her father using a crate of tinned pineapple to bribe a police officer. This small detail playfully weaves a personal story into the piece, adding a layer of warmth and humor to the portrait.

Portrait of Richard

On the canvas, layers of thinned acrylic paint gradually revealed the portrait of Richard, emerging as a direct response to the time spent together. Initially dressed in a crisp black-and-white shirt, the decision to remove this element invites viewers to engage more intimately with his features. This deliberate choice allows the nuances of his expression to take center stage, emphasizing the depth of his identity. As the layers of paint built upon one another, they echoed not only Richard’s outward appearance but also the essence of his experiences, creating a portrait that is both personal and profound. The simplicity of the background further enhances this connection, encouraging a closer examination of the man behind the canvas.